Selasa, 22 Februari 2011

[J911.Ebook] Ebook Encyclopedia of Things That Never Were: Creatures, Places, and People, by Robert Ingpen, Michael Page

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Encyclopedia of Things That Never Were: Creatures, Places, and People, by Robert Ingpen, Michael Page

Hardcover sales of more than 70,000 copies have made the Encyclopedia of Things That Never Were a classic illustrated reference to myths and legends from all corners of the world. Here--culled from mythology, literature, and folk tales--is the mystical realm that has populated humanity's imagination for centuries. Over 400 entries, engagingly written and organized by type of entity, make this a complete source of information and a visual feast. Among the entries are: from "The Cosmos," Quetzalcoatl and Scorpio; from "The Ground and Underground," centaurs, elves, and unicorns; from "Wonderland," Atlantis and El Dorado; from "Magic, Science, and Invention," flying carpets and the Trojan horse; from "Water, Sky, and Air," Pegasus and Moby-Dick; and from "The Night," a host of shuddersome creatures from vampires to the golem. This is a wild and wondrous gift for any visionary.

  • Sales Rank: #501624 in Books
  • Published on: 1998-07-01
  • Released on: 1998-07-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.06" h x .54" w x 9.08" l, 2.20 pounds
  • Binding: Paperback
  • 240 pages

From Library Journal
This comprehensive compilation references myths and fantasies from around the world and spanning human history. Detailed yet succinct, the very readable articles are collected under seven topics?e.g, the cosmos, the ground and the underground?and arranged alphabetically by subject. The diverse coverage examines myriad imagined powers and creatures from historical, sociological, cultural, and artistic perspectives, and while many of the ghosts, wizards, gremlins, gods, fairies, and so forth are familiar, many more, e.g., Hyperborea, Alulei, and Phaeton, are not. Each article summarizes the identity, definition, and aspects of the entity, drawing on material derived from classic studies in myth and lore. The illustrations are extraordinary. Though the format is somewhat ungainly for a reference source, and cross references are absent, this book is a rich treasury. The Australian authors, who have written several monographs on mysteries, gnomes, and weird tales of land and sea, have demonstrated a remarkable grasp of the narrative elements of folklore, fables, and belief systems. A significant contribution to all collections in fantasy and allied genres.?Richard K. Burns, MSLS, Hatboro, PA
Copyright 1999 Reed Business Information, Inc.

About the Author
Robert Ingpen is an award-winning illustrator of numerous books, including The Encyclopedia of Events That Changed the World, The Encyclopedia of Ideas That Changed the World, and The Encyclopedia of Mysterious Places (all Penguin Studio).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Feed your imagination
By Amazon Customer
It is an encyclopedia of the things that never existed, so if you are a curious person, like sci-fi or have a great imagination and enjoy stories, myths and stuff like that you will definitely enjoy having this book.

1 of 1 people found the following review helpful.
5th copy
By Amazon Customer
When my children were growing up this book afforded many campfire reads. I have purchased this book for several students who, fascinated by mythology, would not read anything. Massive correction in attitude. I love the fact that global stories open doors to cultures usually not addressed. In addition, how everything is organized creates the environment where myths mingle in their domains.

1 of 1 people found the following review helpful.
Amusing and well designed!
By alezh
This book offers entertainment for the whole family! The topics are ordered alphabetically and offer a full explanation of the basic contents of different types of mythology and wonder creatures, it is always interesting, and provides rare information of certain topics that will appeal to all ages.

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Senin, 21 Februari 2011

[O318.Ebook] PDF Ebook American Theatre: History, Context, Form (BAAS Paperbacks), by Theresa Saxon

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American Theatre: History, Context, Form (BAAS Paperbacks), by Theresa Saxon

This book provides a brief yet informative evaluation of the variety and complexity of theatrical ventures in the United States. It embraces all epochs of theatre history, from pre-colonial Native American performance rituals and the endeavours of early colonisers in the sixteenth and seventeenth centuries, to the end of the twentieth century, situating American theatre as a lively, dynamic and diverse arena.Theresa Saxon examines the implications of political manoeuvrings, economics - both state funded and commercial - race and gender, and material factors such as technology, riot and fire as major forces determining the structure of America's playhouses and productions.She investigates critical understandings of the term 'theatre,' and assesses ways in which the various values of commerce, entertainment, education and dramatic production have informed the definition of theatre throughout America's history.

  • Sales Rank: #3528001 in Books
  • Published on: 2011-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.40" h x .50" w x 8.40" l, .60 pounds
  • Binding: Paperback
  • 216 pages

Review

'The book certainly is multifunctional as an ideal source of criticism of American drama and theatre, a superb guidebook for central events in American theatre and drama history, and a review of forgotten facts and figures in that narrative.'

- Gabriella Varr�, University of Debrecen, Hungarian Journal of English and American Studies


About the Author

Theresa Saxon is Senior Lecturer at the University of Central Lancashire.

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Sabtu, 19 Februari 2011

[U595.Ebook] Download PDF White Queen, by Philippa Gregory

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White Queen, by Philippa Gregory

Brother turns on brother. The throne of England is at stake. The deadly Wars of the Roses have begun....

They ruled England before the Tudors, and now internationally best-selling author Philippa Gregory brings the Plantagenets to life through the dramatic and intimate stories of the secret players: the indomitable women.

Elizabeth Woodville, a woman of extraordinary beauty and ambition, secretly marries the newly crowned boy king of England. While she rises to the demands of her exalted position and fights for the success of her family, her two sons become the central figures in a famous unsolved mystery that has confounded historians for centuries: the lost princes in the Tower of London.

Philippa Gregory brings the artistry and intellect of a master writer and storyteller to a new era in history and begins what is sure to be another best-selling classic series.

  • Sales Rank: #2738 in Audible
  • Published on: 2011-01-20
  • Format: Unabridged
  • Original language: English
  • Running time: 904 minutes

Most helpful customer reviews

8 of 8 people found the following review helpful.
Excellent book!
By Amazon Customer
This book was GREAT! I had no idea that Elizabeth was such a proactive (and prolific!) Queen. There is so much that we don't know about our English history (or at least we didn't go this far back when I was in school). I love how Philippa Gregory incorporates her research into her novels. She brings her characters to life.

26 of 29 people found the following review helpful.
Good, but I didn't lose sleep over it
By Nancy B.
Like many reviewers, I'm a Gregory fan, especially after reading The Other Boleyn Girl and The Constant Princess. I'm not certain whether this book fell flatter for me because of the lack of Gregory's imagination, or dearth of subject matter to make up a full novel. But I' guessing it's the former.

This is historical fiction, which gives the author license to fill in the gaps. And she does in some respects. There's a twist in the Princes in the Tower mystery, and some supernatural shenanigans, which fit nicely. But there didn't seem to be enough to fill in the every day gaps, and round out the characters. Yes, 7 kids seem to melt together, even in the real world. But we hardly got to know anyone other than the eldest daughter, Elizabeth. And there was too much redundancy in Elizabeth's thought processes. How many times must we hear her come to the same epiphanies in her own mind? And how many times do we need the same water imagery explained to us? There was also too much narrative chronicling of the battles, and not enough action to show us what happened.
I find the Wars of the Roses to be fascinating. I also think that Elizabeth was a colorful figure, all fiction aside. I just don't think Gregory did this part of the tale justice. I did enjoy reading the book somewhat. But it wasn't a middle of the night page turner.

13 of 14 people found the following review helpful.
Historical Romance in Fifteenth Century England
By Niles Jacobsen
I don't know what genre to place this book in. Stripped to its essence, I would have to say that this is a romance. It just happens that it takes place in the historical setting of the battle for the English throne known as the war of the roses. As such, it contains all the elements of an adventure novel as well as some aspects of a mystery. It also contains aspects of magic and witchcraft. What this book is not, and never professed to be, is a history book.

The White Queen is the story of Elizabeth Woodville, the commoner and former Lancaster supporter, who married the newly crowned Edward IV from the house of York. They married in secret, for love, and kept it quiet for a time because marriages during that time among nobles were arranged for political alliances. Told mostly in the first person from Elizabeth's point of view, the book starts in 1463 when Elizabeth first meets Edward until 1485 when Edward's brother Richard III holds the throne.

The book was meticulously researched and contains an extensive bibliography (for anyone wanting to read the history.) By using the first person, Ms Gregory is filling in the thoughts of Elizabeth as well as the behind the scenes dealings in the king's court. These are not historically accurate, nor were they ever portrayed as such. One can only guess what went on behind the scenes as no historical documents exist to tell us, and with all the backstabbing going on I am not surprised that nothing was put in writing.

Another nice touch added by the author was the introduction of magic to the story. Elizabeth's mother claimed to be descended from Melusina, the water goddess who was half woman and half fish. Melusina's legend exists in many cultures and is probably most well known as that of a mermaid. This legend is woven into the events of the war of the roses masterfully, and Elizabeth and her mother are both accused of witchcraft at one point or another. Whether to believe or not is left up to the reader.

If you enjoyed Outlander, by Diana Gabaldon as I did, then I think you will also enjoy The White Queen. They are both similar in that they are first and foremost love stories. The main difference is that there is no time travel in this book. Instead, the reader is transported to the fifteenth century and sees life through the eyes of Elizabeth Woodville.

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Kamis, 17 Februari 2011

[Q334.Ebook] Download PDF Tout l'ECN - Nouvelle édition - iECN

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  • Sales Rank: #6448232 in Books
  • Original language: French
  • Dimensions: 9.37" h x 1.26" w x 12.60" l,
  • Binding: Paperback

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Sabtu, 12 Februari 2011

[S121.Ebook] PDF Download , by Gordon L. Robertson - Food Packaging and Shelf Life: A Practical Guide: 1st (first) Edition, by Author

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  • Published on: 2008-12-21
  • Binding: Hardcover

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Kamis, 10 Februari 2011

[G378.Ebook] PDF Download History of the Theatre, by Oscar G. Brockett, Franklin J. Hildy

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History of the Theatre, by Oscar G. Brockett, Franklin J. Hildy

Known as the "bible" of theatre history, Brockett and Hildy’s History of the Theatre is the most comprehensive and widely used survey of theatre history in the market.

This 40th Anniversary Edition retains all of the traditional features that have made History of the Theatre the most successful text of its kind, including worldwide coverage, more than 530 photos and illustrations, useful maps, and the expertise of Oscar G. Brockett and Franklin J. Hildy, two of the most widely respected theatre historians in the field. As with every edition, the text reflects the current state of knowledge and brings the history of theatre up to the present. This tenth edition continues to provide the most thorough and accurate assessment of theatre history available.

  • Sales Rank: #83972 in Books
  • Brand: Brockett, Oscar Gross/ Hildy, Franklin J.
  • Published on: 2007-10-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.20" w x 8.40" l, 3.30 pounds
  • Binding: Hardcover
  • 688 pages

From the Back Cover

History of the Theatre, 10/e

Oscar G. Brockett and Franklin J. Hildy

Congratulations on beginning your learning experience with the 40 th Anniversary Edition of this bestselling theatre history textbook written by two of the most highly respected theatre historians in the field: Oscar G. Brockett and Franklin J. Hildy.� You’ll begin your historical journey chronologically with the ritual origins of theatre. Then you’ll travel around the world as you explore the roots of theatre in countries such as Spain, England, and France, in Latin America and more. You’ll end your survey with the theatres of Africa and Asia. The cover alone captures the drama and diversion that an evening at the theatre provides.����� ��������

WHAT YOU’LL FIND IN THIS EDITION

  • The most comprehensive coverage of European, American, Asian, African, and Latin American theatre history exposes you to many types of theatre you may have never before considered.
  • A revised chapter on contemporary theatre covers avant-garde theatre from around the world and brings theatre history up to the present day.
  • Updates throughout every chapter provide you with the most current and accurate information available, so you’ll be well-informed for discussions in class as well as with family and friends.�

REVIEWER QUOTES

“Most people involved with teaching theatre history know that this text is unequaled in the field. No other survey text gives this kind of detail, is revised as often to keep pace with research and historical developments, is as qualified or clear in what the state of knowledge and debate are on particular topics, covers as many areas of world theatre, has as thorough an index, is as rich in images, or has as useful a bibliography.”�

–Dennis C. Beck, James Madison University

“Since I was a college undergraduate, the Brockett history book has been a ‘must do’ on my bookshelf and the bookshelves of all of my theatre peers and professors alike. The Brockett book is affectionately referred to as ’The Bible’ among my colleagues. There is no question it is a remarkable compilation of information and an invaluable addition to my resources.”

–Kimberly Wagner, Edinboro University

Most helpful customer reviews

0 of 0 people found the following review helpful.
I liked how it detailed what was going on in the ...
By Amazon Customer
A very thorough book. I liked how it detailed what was going on in the country and in the world at the beginning of each chapter to give the reader a better perspective of what was going on outside of theatre during each time period. I'd recommend this book to anyone, not just students that a required to get it for their class.

0 of 0 people found the following review helpful.
Good, with some drawbacks.
By Brian Klimowski
It's a great resource on theatre history, but many of the tangents that this book takes are unnecessary. Minutia is the focus of this book, not large ideas about the growth of the theatre in general.

3 of 3 people found the following review helpful.
Best of the lot
By Grover Smittle
Quite simply the best comprehensive theatre history text available. In every new edition, Brock reviewed every word on every page, incorporating new research, new theories, and new opinions. He never just "tacked on" a new chapter every couple of years. The good doctor is careful to separate fact from speculation, and often includes alternate interpretations of the historical record.

As other reviewers have noted, this text is best accompanied by Dr. Brockett's lively lectures. Unfortunately, since his death last year this is impossible. I found during my time at UT that Brock was a careful scholar, interesting lecturer, and outstanding mentor.

Buy this book! It puts the others in my theatre history collection (Molinari, et al.) to shame.

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Rabu, 09 Februari 2011

[X305.Ebook] Free Ebook There Ain't No Black in the Union Jack (Routledge Classics), by Paul Gilroy

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There Ain't No Black in the Union Jack (Routledge Classics), by Paul Gilroy

This classic book is a powerful indictment of contemporary attitudes to race. By accusing British intellectuals and politicians on both sides of the political divide of refusing to take race seriously, Paul Gilroy caused immediate uproar when this book was first published in 1987. A brilliant and explosive exploration of racial discourses, There Ain’t No Black in the Union Jack provided a powerful new direction for race relations in Britain. Still dynamite today and as relevant as ever, this Routledge Classics edition includes a new introduction by the author.

  • Sales Rank: #2176404 in Books
  • Published on: 2002-07-11
  • Released on: 2002-07-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.79" h x .94" w x 5.08" l, .89 pounds
  • Binding: Paperback
  • 416 pages

Review
'Provocative and stimulating ... not a book which can or should be ignored.' - Times Higher Educational Supplement

From the Back Cover
In this book, the author demonstrates the enormous complexity of racial politics in England today. Exploring the relationships among race, class, and nation as they have evolved over the past twenty years, he highlights racist attitudes that transcend the left-right political divide.

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3 of 3 people found the following review helpful.
Groundbreaking !
By Ulrich Gdhler
Paul Gilroy is the author of the seminal work “Black Atlantic” (1993) and the leading exponent of black diaspora studies. Paul Gilroy was born as East Londoner with Caribbean and English parents. He is currently a Professor at Kings College London and taught Sociology at the London School of Economics and Yale before. He studied at the Birmingham Centre of Contemporary Cultural Studies. “There Ain’t No Black in the Union Jack” appeared 1987 and reflects Gilroy’s PhD at Birmingham. Gilroy had worked on the famous CCCS “The Empire Strikes Back” project before. Gilroy wants to link the homely cultural studies of Richard Hoggart and E.P. Thompson with the thoughts of radical black thinkers.
Gilroy’s position on race is anti-essentialist. Simone de Beauvoir wrote “One is not born a woman, but becomes one”. Gilroy defends a similar position towards race. “Race” is a political category that can accommodate different meanings which are determined by struggle. In the hierarchy of dimension of inequality “race” should be accorded an equivalent place to class and gender. Gilroy believes structural transformations have reduced the homogeneity and political weight of the working class and the Left should move away from blaming modern social movements of not corresponding to the models written in the 19th century. Gilroy criticizes the idea of an English patriotism of the Left fostered by Tony Benn, Eric Hobsbawm and E.P. Thompson. “There Ain’t No Black in the Union Jack” is implicitly also a contribution to the debate about the peculiarities of the development and the weakness of Marxist tradition in England.
The book starts with an overview of theories about the relationship between “race” and “class”. Gilroy justifies his search for the distinctive, particular characteristics of race and racism in Britain with a critique of the different Marxist approaches of Ambalavener Silvanandan, Robert Miles and Ernesto Laclau.
“Race” and “Racism” is historically particular. The new racism sees race as a cultural issue and not primarily as a biological category. British racists such as Enough Powell understand race with the metaphor of a foreign invasion of Britain. Black criminality is an essential aspect of the race discussions. Gilroy introduces the findings of the CCCS study on “Mugging” and Social Panics. There is an identification of the law with national interests and of criminality with non-English qualities. In 1976 mugging is conceived as a racial crime and legality is the pre-eminent symbol of national culture. “Race” is not an essential biological category. There is a process of “race” formation. The antagonisms between the blacks and the police shaped black settlers in Britain into a political community.
The second part of the voluminous book examines variants of anti-Racism. Gilroy portrays the “Rock against Racism” movement of the late 1970s and the anti-racism campaign of the Greater London Council under Livingston in the 1980s. The GLC’s municipal Anti-Racism appears to endorse the idea that racial groups are real in the sense of being fixed and exclusive. But races are political collectives, not ahistorical essences. The essentialism of the GLC leads to a campaign which detaches issues of “race” and “prejudice” from the concrete social and political conflicts.
After this critique of essentialism Gilroy introduces the concept of the “Black Diaspora”. In the last part of the book Gilroy analyses the relationship between blacks and whites in the leisure institutions of urban Britain. Because of the influence of black styles, music, dress, dance, fashion and language, youth cultures became repositories of anti-racist feelings. The extensive chapter on black music in Jamaica, the US and Britain, provides elements of a history of black Soul and Rock music and is worth reading for those interested in understanding the relationship between Rock music and youth rebellion.
Gilroy manages to portray the dialectics of a particular modern British version of “race” and Racism. Unfortunately Gilroy does not show how the defeat of the English labour movement in the late 1970s and early 1980s shaped the relationship between “class” and “race”.

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Kamis, 03 Februari 2011

[Z314.Ebook] Download The Little Book of Confidence: Cool. Calm. Collected (The Little Books), by Tiddy Rowan

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The Little Book of Confidence: Cool. Calm. Collected (The Little Books), by Tiddy Rowan

There must be few people who have never felt a lack of self-confidence or heightened self-awareness when going to a party, meeting, or social occasion. Reading this book will help transform a wallflower into a sunflower. The Little Book of Confidence shows us how to challenge our preconceived notions about confidence. Through tips, quotes, and practical exercises we can learn how to restore or improve positive faith in ourselves through heightened levels of competence, compassion, and self-awareness.

  • Sales Rank: #599765 in Books
  • Published on: 2016-01-05
  • Released on: 2016-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.38" h x 1.00" w x 4.50" l, .84 pounds
  • Binding: Hardcover
  • 192 pages

About the Author
Tiddy Rowan has traveled extensively in her career producing television commercials, followed by working in the art market and researching and writing books. In the 1970s she practiced meditation and yoga for the first time and has been studying techniques, beliefs, and related philosophies ever since. Her interest in mindfulness has led to practicing it and also researching the fusion of its Western and Eastern roots. Her previous books include The Little Book of Mindfulness, which has sold over 300,000 copies worldwide, The Little Book of Love, and The Little Book of Quiet both published by Quadrille.

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0 of 0 people found the following review helpful.
great gift for a friend or yourself
By sy
great little daily book

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