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Hegel's Aesthetics: Lectures on Fine Art, Vol. I, by G. W. F. Hegel
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This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.
- Sales Rank: #1126383 in Books
- Published on: 1998-12-17
- Original language: English
- Number of items: 1
- Dimensions: 5.40" h x 1.10" w x 8.40" l, 1.71 pounds
- Binding: Paperback
- 640 pages
About the Author
G. W. F. Hegel (1770-1831) is one of the great figures in the history of Western thought, and the most important philosopher of his time. He spent his life in his native Germany, elaborating an enormously ambitious and broad-ranging philosophical system which has exerted a continuing influence on European and Anglo-American philosophy. Sir Malcolm Knox was Professor of Moral Philosophy at the University of St Andrews from 1936 to 1953, and then Principal of that university until 1966. He published translations of many of Hegel's philosophical, theological, and political writings. He died in 1980.
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Not since Aristotle has Philosophy so Illuminated Fine Art
By Paul Trejo
It is not every century that is so fortunate to receive a vision of Fine Art that illuminates the foundations of Art and what Art means for the human species. Hegel first distinguishes between ordinary Aesthetics and his notion of Fine Art, that is, Human Creativity. Nature can be Aesthetic, but only Humans create Fine Art, and it is Fine Art that Hegel wishes to explore in this masterpiece.
In great detail, Hegel explains why his concept of Spiritual Freedom is central to Art, just as it is central to Politics, to Religion, to Free Thinking and to Science. Fine Art is distinguished by its direct and personal appeal. A human hand fashions a single object with such care, devotion, skill and imagination that it may be treasured by millions for centuries. This is no act of conditioned reflexes, but an act of profound Freedom and awareness of Spiritual reality.
The key to Art, for Hegel, is always the Spirit. If the Spirit can shine through, then a work of Fine Art can be a great work. The more the Universal Spirit of humanity shows forth, the more attractive that work is to the millions. For that reason, Hegel suggested, the greatest Art is religious Art or any Art that rises to the level of the spiritually sublime, as in Tragedy.
Hegel considered that there is a hierarchy among the Arts. The Arts with the most matter are always a little bit lower than the Arts with less matter. For example, for Hegel, Architecture is the lowest form of Art, because the Original Idea can rarely be perfectly executed through coordinating and budgeting the large crowd of workers needed to complete it.
Sculpture is higher than Architecture, but the limitations of the large marble mass were considerable when compared with the relative Freedom offered by oil on a canvas exhibiting colors, shapes and light, said Hegel.
Higher than Painting are Dance and Music, Art forms that again require many people. However, the substance of these Art forms is not found simply as the human body or the musical instrument, rather, it is found within fleeting motions of the body, or the fleeting vibrations of the instrument. Music is ethereal, and when a musician stops playing, all Music itself stops. Further, Music is invisible to the eye, audible to the ear but also to the heart, and has the capability of manipulating human emotions in the most unique manner.
But the highest form of Art, said Hegel, is Poetry, and the highest form of Poetry is Tragic Drama. Drama is an imitation of Life - not just as in Comedy, the external vagaries of Life, but the inner Life of the human being who suffers and who dies.
Hegel remained a Christian all his life, although he was, as Cyril O'Regan aptly demonstrated, a Heterodox Christian. So we should not be surprised when we read that the Tragic Drama of Christ was, for Hegel, the highest expression of Fine Art, and a narrative that could not be repeated enough times by the Artists of each century.
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