Minggu, 23 Oktober 2011

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  • Binding: Paperback

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Senin, 17 Oktober 2011

[O307.Ebook] Ebook Download Queer Latinidad: Identity Practices, Discursive Spaces (Sexual Cultures), by Juana Mar�a Rodr�guez

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According to the 2000 census, Latinos/as have become the largest ethnic minority group in the United States. Images of Latinos and Latinas in mainstream news and in popular culture suggest a Latin Explosion at center stage, yet the topic of queer identity in relation to Latino/a America remains under examined.

Juana María Rodríguez attempts to rectify this dearth of scholarship in Queer Latinidad: Identity Practices, Discursive Spaces, by documenting the ways in which identities are transformed by encounters with language, the law, culture, and public policy. She identifies three key areas as the project’s case studies: activism, primarily HIV prevention; immigration law; and cyberspace. In each, Rodríguez theorizes the ways queer Latino/a identities are enabled or constrained, melding several theoretical and methodological approaches to argue that these sites are complex and dynamic social fields.

As she moves the reader from one disciplinary location to the other, Rodríguez reveals the seams of her own academic engagement with queer latinidad. This deftly crafted work represents a dynamic and innovative approach to the study of identity formation and representation, making a vital contribution to a new reformulation of gender and sexuality studies.

  • Sales Rank: #755799 in Books
  • Brand: Brand: NYU Press
  • Published on: 2003-01-01
  • Released on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, .75 pounds
  • Binding: Paperback
  • 227 pages
Features
  • Used Book in Good Condition

Review

“It is rare to find as vital and sassy and smart an essayist as Juana Rodríguez. She takes you through the intersections of culture and theory in ways that compel us to rethink what queer does to Latinidad as much as what Latinidad does to queer. She shows what it means, politically and culturally, to read for the possibility of survival and affirmation. She is careful, attentive, dynamic, disorienting, and exhilarating as she reads political and cultural events, literary and theoretical texts, and the nuances of language use for a complex cultural subject in process. A fabulous read.”
-Judith Butler,Maxine Elliot Professor at the University of California at Berkeley



“Mapping slippery subjects outside of fixed identities, this book is always against closure: Queer Latinidad at its best.”
-José Quiroga,author of Tropics of Desire: Interventions from Queer Latino America



“Rodríguez furthers her work . . . with an engaging writing style that is poetic, personal, philosophical and theoretical. . . . This book is highly recommended.”
-Reforma Newsletter



“A fascinating critical approach to the development of the so-called latinidad, i.e., the identity of Latinos in the US. Unlike that in other ethno-queer studies, Rodríguez's data and primary texts of analysis are not literary works. Instead, this refreshing, funny, and daring book takes the reader through unexplored queer Latino communities.... Highly recommended.”
-Choice

About the Author
Juana María Rodríguez is Professor of Gender and Women’s Studies at the University of California, Berkeley. She is the author of Queer Latinidad: Identity Practices, Discursive Spaces.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Smart, sexy and so fun
By Critical Cosmologist
This book is really inspring and fun to read. She expects the reader to be more--be transformative, disturb the normative. She sets the example by taking a lot of risks as an intellectual who believes unconditionally in the powers of (re)reading and (re)writing. I love to read this book while working on my dissertation! I'm a Korean American mama, and this book helps me think through non-queer non-latinidad material. Every other page, there's a hysterical joke. Too funny--everyone knows only a real genius can pull off comedy.

11 of 13 people found the following review helpful.
Latin@s del ambiente meet cultural studies
By Jeffery Mingo
Professor Rodriguez is trying to answer what phenomena constitute "queer Latinidad" and what do these phenomena signify. Therefore, she analyzes the HIV prevention organizatoin Proyecto Contra SIDA in San Francisco, the political asylum case of gay Brazilian Marcelo Tenorio, and LGBT Latin@ chatrooms. She describes these phenomena as "subjects in process" in order to avoid the traps of essentialism and identity politics but to promote the transgressive and postmodern qualities of the aforementioned events.
Rodriguez makes her knowledge about Latin American history and politics obvious. This book equally mentions Latin@s in the US and Latin Americans outside of it. By mentioning a Brazilian asylee, her Spanish internet lover, the independence debates on Puerto Rico, and Chicano clubs in the Bay Area, Rodriguez proves her commitment to pan-Latinidad. In many books that address racial and sexual minorities, only one gender is featured. Manrique's "Besame Mucho" or Moraga's "This Bridge Called My Back" are examples of that. Rodriguez, however, brings up people of all genders (and there are more than two) here. Further, this book mentions gay men, lesbians, bisexuals, and the transgendered equally. Thus, I understand her use of the controversial term "queer." The author is just pretty darn inclusive.
Given the three phenomena she analyzes, the reader can easily tell that Rodriguez is trying to expand the perameters of what is considered cultural studies. She cites critical race legal theory which is surprising because critical legal theorists usually already borrow so many ideas from traditionally-trained academics, like herself, outside of the law. The book is short in page length, yet it still takes quite a while to read. The bibilography is a great guide for works by "queer" academics of color.
Rodriguez is an extroverted, sex-positive lesbian academic similar to Gayle Rubin, Joan Nestle, and (as of late) Lillian Faderman. I think her students will be shocked at how open she is about her sex life in this text. On the back cover of the book, Jose' Quiroga praises her writing. Rodriguez writes in an exhaustive fashion about cultural products just like Quiroga, so I wasn't surprised to see his name here. I don't mean to imply that LatinAs can only imitate their white female or LatinO counterparts; it's just that her influences in this book stand out.
The front cover of the book shows a split papaya (or guava?). She informs us that this is a poster for San Francisco's Proyecto, but its symbolic representation of the female body is quite lesboerotic and reminds me of Georgia O'Keefe's flowers. The front and back covers are red, gold, and purple: a somewhat loud clash of colors. It somewhat reminds me of the Venezuelan flag, but Rodriguez states that she is Cuban-American. I think the vibrant color scheme is meant to represent the ideas of Latin@s as being lively and living in warm climates.
I really liked this book, but I do have to make two warnings. First, the reader should know in advance what this text is. THIS IS A VERY ACADEMIC CULTURAL STUDIES TEXT FROM A PhD. Though Rodriguez proves that she is very knowledgeable about "queer" Latin@ organizing, this book does not answer "How to start a Latin@ LGBT club," "Who's Who Among Gay Latin@s," or "What is the history of Queer Latin@ Activism." Potential readers who assume this book is a repeat of "Compan~eras" or "Chicana Lesbians" will be disappointed.
Additionally, many of Rodriguez's analyses could be interpreted differently. For example, she states that gay Latino academics (like Mun~oz and Quiroga) transgressively "queer" scholarship by discussing more than one medium within the same text. Well, given that homosexuality was the love that dare not speak its name and that the subaltern had no voice (as writers have mentioned in the past), it's not surprising that academics have to glean from what they can find in order to discuss "queer" Latin@ cultural works. What she thinks of as subversive, I think of as a reflection on oppression. Still, this was a great work.

10 of 10 people found the following review helpful.
Queer Latinidad!
By tatiana de la tierra
The glistening ripe red papaya on the cover of Queer Latinidad is a suggestive image for a powerful discourse of how identity intersects with sexuality and culture. Focusing on case studies in activism, immigration and cyberspace, Juana María Rodríguez examines queer "latinidad," which is defined beyond geography, language, and history to encompass complexities such as race, legal status and (post)(neo)colonialism. Written from an insider's point of view-the author is a Cuban lesbian activist scholar-this book is full of references to Latin@ lesbian and gay organizations, events, icons, artists, activists, and political issues. While this is in itself significant, Rodríguez furthers her work by giving serious consideration to real-life spaces such as bars and courtrooms and real-life documents such as e-mail messages, flyers, and retablos. She does this with an engaging writing style that is poetic, personal, philosophical and theoretical. Well-documented, the book includes informative notes, an extensive bibliography, and an exceptional index that even has listings for yuca, dildos, and La Lupe. While the central text is written in English, the book includes many passages in Spanish that are immediately followed by the English translation. A valuable contribution to scholarship in cultural studies, queer studies, women's studies, and Latin@ studies, this book is highly recommended.

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Senin, 10 Oktober 2011

[T799.Ebook] Download Ebook Oxford Literature Companions: Pride & Prejudice, by Annie Fox

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Oxford Literature Companions: Pride & Prejudice, by Annie Fox

Easy to use in the classroom or as a tool for revision, the Oxford Literature Companions provide student-friendly analysis of a range of popular set texts. Each book offers a lively, engaging approach to the text, covering context, language, characters and themes, with clear advice for assessment, examples of questions and annotated sample answers. This guide covers Pride and Prejudice by Jane Austen.

  • Published on: 2012-07-19
  • Original language: Spanish
  • Dimensions: 8.46" h x .16" w x 6.77" l, .0 pounds
  • Binding: Paperback
  • 80 pages

About the Author
Annie Fox is a well-respected OUP author.

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Minggu, 09 Oktober 2011

[E814.Ebook] Ebook Download The Boyfriend (Point Horror Series), by R. L. Stine

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The Boyfriend (Point Horror Series), by R. L. Stine

R.L. Stine's classic teen horror, in a striking new package

Her boyfriend is dead . . . or is he?

  • Sales Rank: #826576 in Books
  • Published on: 2004-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .48" h x 4.15" w x 6.74" l, .20 pounds
  • Binding: Mass Market Paperback
  • 176 pages

Most helpful customer reviews

12 of 14 people found the following review helpful.
R. L. Stine's "The Boyfriend"
By A Customer
I read this story when I was in high school. My sister bought it and read it, and though I seldom read YA novels, I did pick this one up and finished it in a couple of hours. It was really very good, the best YA book I had read to date. Because I liked it, I read a lot of R. L. Stine novels after that. "The Boyfriend" was the best of them.
Joanna, the main character, is a rich girl who has a thing for wild boys. Dex, the "boyfriend", is a talented boy, an actor, who lives with his aunt on the wrong side of town, and he's Joanna's type...at first. But the differences between them, that they move about in different social circles, doesn't sit well with Joanna and she gets bored with Dex and stands him up a lot. She has her eyes on Shep, a boy from a well-to-do family.
In the middle of the night, after being stood up again, Dex persuades Joanna to go for a ride to the canyon accompanied by his friend Pete. Once at the Promontory, Dex starts goofing off like he always does, playing around on the edge of the cliff...and slips. Joanna hears Dex's body break as it hits the ground below. And in a rush of terror and confusion, she drives away from the scene and gets into a car accident.
Joanna winds up in the hospital with minor injuries but Pete tells her that Dex didn't make it. 'Dex is dead, Joanna,' Pete says, 'and you RAN away!' Joanna feels bad, tells Pete she was going for help. He doesn't believe her and leaves angry. She is sad to hear that Dex is dead, but strangely feels relieved too.
But Dex comes back from the grave to torment Joanna for abandoning him.
The characterizations are among R. L. Stine's strongest and in the end the reader is still uncertain as to what really happened to Dex that night at the Promontory. I won't let the cat out of bag, but after finishing the book, you'll understand what I mean.
I recommend this story highly.

5 of 5 people found the following review helpful.
"Her boyfriend's back...from the grave."
By A Customer
In "The Boyfriend," Joanna Collier wants to break up with her current boyfriend, Dex, in order to date someone new: Shep Forrest. But she doesn't get the chance to do so before Dex accidentally falls off a cliff to his death. Then six weeks later, she starts receiving phone calls and visits from her "dead" boyfriend. Was his death just a misunderstanding--or is he really back from the grave as a zombie?
Like most of Stine's books, "The Boyfriend" is a quick read and can be finished off in only a few hours; but, unfortunately, it's also formulaic and episodic. There aren't too many surprises, either, that Stine fans can't figure out for themselves one step ahead, leaving a rather disappointing mess at the end. Nevertheless, his books do have an appeal like junk food: there's no real nutritional value to them and they probably rot young readers' brains, but they're quickly-gratifying and addictive. Worth reading if you're looking for some semi-scary mind candy.

8 of 8 people found the following review helpful.
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By A Customer
REVIEW

I liked this book a lot because it is just great! When I read it I felt like I was in the book, it's that good.

The main character is Joanna. She an 18teen year old girl with a boyfriend named Dex. Joanna and Dex have been going out for a long time now but... Joanna has been cheating on him with a guy named Shep. But something even more important is happening and it has to do with Dex. He has been acting and looking weird lately. He turning green, and his eyes are all red, his skin is peeling and he has this gross smell of garbage. But in the end there is a little surprise for you!!

I think everyone will like this book I mean who couldn't!

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Minggu, 18 September 2011

[Y458.Ebook] Download PDF HIROSHIMA MON AMOUR

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  • Original language: French
  • Number of items: 1
  • Dimensions: .24" h x 4.33" w x 7.13" l,
  • Binding: Mass Market Paperback

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Jumat, 16 September 2011

[J182.Ebook] Ebook Free Hegel's Aesthetics: Lectures on Fine Art, Vol. I, by G. W. F. Hegel

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This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.

  • Sales Rank: #1126383 in Books
  • Published on: 1998-12-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.40" h x 1.10" w x 8.40" l, 1.71 pounds
  • Binding: Paperback
  • 640 pages

About the Author
G. W. F. Hegel (1770-1831) is one of the great figures in the history of Western thought, and the most important philosopher of his time. He spent his life in his native Germany, elaborating an enormously ambitious and broad-ranging philosophical system which has exerted a continuing influence on European and Anglo-American philosophy. Sir Malcolm Knox was Professor of Moral Philosophy at the University of St Andrews from 1936 to 1953, and then Principal of that university until 1966. He published translations of many of Hegel's philosophical, theological, and political writings. He died in 1980.

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48 of 51 people found the following review helpful.
Not since Aristotle has Philosophy so Illuminated Fine Art
By Paul Trejo
It is not every century that is so fortunate to receive a vision of Fine Art that illuminates the foundations of Art and what Art means for the human species. Hegel first distinguishes between ordinary Aesthetics and his notion of Fine Art, that is, Human Creativity. Nature can be Aesthetic, but only Humans create Fine Art, and it is Fine Art that Hegel wishes to explore in this masterpiece.
In great detail, Hegel explains why his concept of Spiritual Freedom is central to Art, just as it is central to Politics, to Religion, to Free Thinking and to Science. Fine Art is distinguished by its direct and personal appeal. A human hand fashions a single object with such care, devotion, skill and imagination that it may be treasured by millions for centuries. This is no act of conditioned reflexes, but an act of profound Freedom and awareness of Spiritual reality.
The key to Art, for Hegel, is always the Spirit. If the Spirit can shine through, then a work of Fine Art can be a great work. The more the Universal Spirit of humanity shows forth, the more attractive that work is to the millions. For that reason, Hegel suggested, the greatest Art is religious Art or any Art that rises to the level of the spiritually sublime, as in Tragedy.
Hegel considered that there is a hierarchy among the Arts. The Arts with the most matter are always a little bit lower than the Arts with less matter. For example, for Hegel, Architecture is the lowest form of Art, because the Original Idea can rarely be perfectly executed through coordinating and budgeting the large crowd of workers needed to complete it.
Sculpture is higher than Architecture, but the limitations of the large marble mass were considerable when compared with the relative Freedom offered by oil on a canvas exhibiting colors, shapes and light, said Hegel.
Higher than Painting are Dance and Music, Art forms that again require many people. However, the substance of these Art forms is not found simply as the human body or the musical instrument, rather, it is found within fleeting motions of the body, or the fleeting vibrations of the instrument. Music is ethereal, and when a musician stops playing, all Music itself stops. Further, Music is invisible to the eye, audible to the ear but also to the heart, and has the capability of manipulating human emotions in the most unique manner.
But the highest form of Art, said Hegel, is Poetry, and the highest form of Poetry is Tragic Drama. Drama is an imitation of Life - not just as in Comedy, the external vagaries of Life, but the inner Life of the human being who suffers and who dies.
Hegel remained a Christian all his life, although he was, as Cyril O'Regan aptly demonstrated, a Heterodox Christian. So we should not be surprised when we read that the Tragic Drama of Christ was, for Hegel, the highest expression of Fine Art, and a narrative that could not be repeated enough times by the Artists of each century.

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Kamis, 15 September 2011

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Escalando Sonhos � mais do que um livro de viagem, � parte da hist�ria da transforma��o de Gustavo Ziller, que, depois de sentir o peso do estresse no cora��o, se viu diante da necessidade de mudar os rumos de sua vida.

O livro descreve essa aventura desde o momento da tomada de decis�o – quando o amigo e fot�grafo Caio Vilela o aconselhou a partir em uma viagem ao Nepal, para um trekking no Annapurna, na regi�o da cordilheira do Himalaia. O objetivo? Chegar ao Acampamento Base da montanha.

At� l�, Ziller passou por uma prepara��o intensa, que exigiu foco e dedica��o. Afinal era necess�rio se preparar f�sica e psicologicamente para encarar o desafio. Passou por avalanches, baixa temperatura, congelamento e in�meros questionamentos, mas, acima de tudo, vivenciou a cumplicidade, sentiu a determina��o e partiu para a conquista.

Nestas p�ginas, Ziller transformou sua realidade em uma riqueza contagiante. Inspiradora. Um exemplo que vai penetrar o instinto, despertar a curiosidade e ati�ar a coragem para seguir adiante. Sempre com emo��o.

Essa � apenas a primeira de muitas hist�rias – pois nada parece ser imposs�vel para algu�m como ele, que vive sempre em busca de extrair da vida tudo o que for extraordin�rio. Move on.

  • Sales Rank: #1590141 in eBooks
  • Published on: 2015-07-09
  • Released on: 2015-07-09
  • Format: Kindle eBook

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